I began sculpting in 1959 as a young repertory actor in Manhattan, where I was inspired by the shapes the actors created on stage, like dancers breaking up space as they moved. I was on fire to give my feelings a dimensional life through sculpture.
I began sculpting in 1959 as a young repertory actor in Manhattan, where I was inspired by the shapes the actors created on stage, like dancers breaking up space as they moved. I was on fire to give my feelings a dimensional life through sculpture.